{"id":60,"date":"2003-01-20T20:00:33","date_gmt":"2003-01-20T20:00:33","guid":{"rendered":"http:\/\/martinvonfrantzius.net\/?p=60"},"modified":"2015-12-19T16:41:59","modified_gmt":"2015-12-19T16:41:59","slug":"farbige-wolken-fur-violine-solo","status":"publish","type":"post","link":"https:\/\/www.martinvonfrantzius.net\/?p=60","title":{"rendered":"farbige Wolken f\u00fcr Violine solo"},"content":{"rendered":"<p>dedicated to Christiane Edinger<br \/>\nUA: Martin von Frantzius, 20.01.2003, HfMT Hamburg<\/p>\n<p>Recording: Martin von Frantzius, live, Museum f\u00fcr das F\u00fcrstentum L\u00fcneburg, February 14th, 2008<\/p>\n<p>The violin is known as a typical melodic instrument. My aim was not to compose another violin piece in that manner, but to explore other more ambient-sounding possibilities.<\/p>\n<p>After experimenting a while, I discovered the possibility of playing extended trills with more than two involved fingers (up to four). The fingers have to touch the strings one after another. In that way &#8220;colored soundclouds&#8221; with up to seven audible notes are getting possible. This technique, which I call &#8220;Multitriller&#8221; (multitrill) builds the main material in this piece. Untill now, I never saw anything like this in other scores. Please correct me, if you know someone who used this before. I&#8217;m very interested!<\/p>\n<p>The piece starts very soft and ends in a trance-like sound plateau.<br \/>\nIn 2014 I combined &#8220;farbige Wolken&#8221; with a light choreography. (Performed at Me\u00dfmer Momentum, Hamburg, spring 2014)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>dedicated to Christiane Edinger UA: Martin von Frantzius, 20.01.2003, HfMT Hamburg Recording: Martin von Frantzius, live, Museum f\u00fcr das F\u00fcrstentum L\u00fcneburg, February 14th, 2008 The violin is known as a typical melodic instrument. My aim was not to compose another &hellip; <a href=\"https:\/\/www.martinvonfrantzius.net\/?p=60\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":94,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,7,13,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/60"}],"collection":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60"}],"version-history":[{"count":17,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":81,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/60\/revisions\/81"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/media\/94"}],"wp:attachment":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}