{"id":433,"date":"2025-03-19T20:00:13","date_gmt":"2025-03-19T20:00:13","guid":{"rendered":"http:\/\/martinvonfrantzius.net\/?p=433"},"modified":"2025-06-25T16:53:26","modified_gmt":"2025-06-25T16:53:26","slug":"unstillbar-2","status":"publish","type":"post","link":"https:\/\/www.martinvonfrantzius.net\/?p=433","title":{"rendered":"unstillbar.2"},"content":{"rendered":"<p><strong>unstillbar.2<\/strong><br \/>\nfor string quartet and live-electronics<\/p>\n<p>Recording of the premiere at Bayerische Akademie der Sch\u00f6nen K\u00fcnste, 19.03.2025<\/p>\n<p>Performed by<br \/>\n<strong>Asasello Quartet<\/strong><\/p>\n<p>Rostislav Kozhevnikov, Violine<br \/>\nHannah Weirich, Violine<br \/>\nJustyna Sliwa, Viola<br \/>\nTeemu My\u00f6h\u00e4nen, Cello<\/p>\n<p>The live electronics are created using Max for Live and Ableton Live.<br \/>\nNo prerecorded sounds are used.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br \/>\nProgram notes<br \/>\nThe daily barrage of global tragedies, injustices, wars and natural disasters is overwhelming.<br \/>\nThe evening&#8217;s music counters this negative cycle by offering an alternative world &#8211; an illusionistic theatre of fragile beauty. Alternative tonalities meet the ambiguity of a live-electronically expanded instrumentarium.<br \/>\nOn the one hand, spaces of retreat open up, into which one can immerse oneself. However, these spaces are rarely without a latent restlessness and an undefined longing whose goal is never tangible, yet which repeatedly plays itself into the foreground.<br \/>\nThis creates a tension between emotion and reflection, urge and inner contemplation, inviting us to explore our own longings and question our preconceived ideas.<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<br \/>\nProgrammtext<br \/>\nDie Eindr\u00fccke der globalen Realit\u00e4t mit ihren menschengemachten Trag\u00f6dien, Ungerechtigkeiten, Kriegen und Naturkatastrophen \u00fcberw\u00e4ltigen und \u00fcberfordern uns t\u00e4glich aufs Neue.<br \/>\nDiesem negativen Kreislauf setzt die Musik des Abends eine Parallelwelt entgegen &#8211; ein illusionistisches Theater von fragiler Sch\u00f6nheit. Alternative Tonalit\u00e4ten treffen auf die Doppelb\u00f6digkeit eines live-elektronisch erweiterten Instrumentariums.<br \/>\nEinerseits er\u00f6ffnen sich R\u00fcckzugsr\u00e4ume, in die man sich fallen lassen kann. Andererseits existieren sie selten ohne eine latente Unruhe, eine unbestimmte Sehnsucht, deren Ziel nie greifbar wird, die sich aber immer wieder in den Vordergrund spielt.<br \/>\nEs entsteht ein Spannungsfeld zwischen Emotion und Reflexion, zwischen Drang und innerer Einkehr, das dazu auffordert, den eigenen Sehns\u00fcchten Raum zu geben und vermeintliche Gewissheiten in Frage zu stellen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>unstillbar.2 for string quartet and live-electronics Recording of the premiere at Bayerische Akademie der Sch\u00f6nen K\u00fcnste, 19.03.2025 Performed by Asasello Quartet Rostislav Kozhevnikov, Violine Hannah Weirich, Violine Justyna Sliwa, Viola Teemu My\u00f6h\u00e4nen, Cello The live electronics are created using Max &hellip; <a href=\"https:\/\/www.martinvonfrantzius.net\/?p=433\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":436,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,7,24,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/433"}],"collection":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=433"}],"version-history":[{"count":1,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/433\/revisions"}],"predecessor-version":[{"id":434,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/433\/revisions\/434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/media\/436"}],"wp:attachment":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}