{"id":174,"date":"2008-09-09T20:00:36","date_gmt":"2008-09-09T20:00:36","guid":{"rendered":"http:\/\/martinvonfrantzius.net\/?p=174"},"modified":"2016-10-14T14:19:38","modified_gmt":"2016-10-14T14:19:38","slug":"im-schatten-geblendet","status":"publish","type":"post","link":"https:\/\/www.martinvonfrantzius.net\/?p=174","title":{"rendered":"im Schatten geblendet"},"content":{"rendered":"<p>for Violin, Violoncello, Saxophone, Drum Set and Live Electronics (cycling74 Max)<\/p>\n<p>Premiere: September 9th, 2008, opera stabile (Hamburger Staatsoper) with Ensemble Int\u00e9grales<\/p>\n<p>Violin &#8211; Barbara L\u00fcneburg<br \/>\nVioloncello &#8211; Sonja Lena Schmid<br \/>\nSaxophone &#8211; Burkhard Friedrich<br \/>\nDrum Set &#8211; N.N. (please tell me)<br \/>\nLive-Electronics- Marko Ciciliani<\/p>\n<p>The piece moves between extremes: one pole forms delicate passages with subtle interval differences, new ways of harmonic thinking and sophisticated changes in the surround sound of the instruments and their acoustic color.<br \/>\nThe other pole is charged with noisy cumulations like in a punk concert or on a dancefloor where loops blare through bad club speakers. At some point the live-electronics slowly get out of hand and completely drown out the instrumentalists, so that they are barely audible and mostly reduced to purely visual exhibits. Everything may be \u2013 a playful, thinking music, but also archaic expression or destruction.<br \/>\nA tribute to the rather unstable life of my generation, which gives on the one hand best and almost infinite possibilities, but on the other hand a permanent feeling of uncertainty, if we took the right decisions or if there is the need to reinvent ourselves for the nth time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>for Violin, Violoncello, Saxophone, Drum Set and Live Electronics (cycling74 Max) Premiere: September 9th, 2008, opera stabile (Hamburger Staatsoper) with Ensemble Int\u00e9grales Violin &#8211; Barbara L\u00fcneburg Violoncello &#8211; Sonja Lena Schmid Saxophone &#8211; Burkhard Friedrich Drum Set &#8211; N.N. (please &hellip; <a href=\"https:\/\/www.martinvonfrantzius.net\/?p=174\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":260,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,22,7,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/174"}],"collection":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=174"}],"version-history":[{"count":4,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/174\/revisions"}],"predecessor-version":[{"id":314,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/posts\/174\/revisions\/314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=\/wp\/v2\/media\/260"}],"wp:attachment":[{"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.martinvonfrantzius.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}